Four weddings and one deathPosted by Cortez Bird on February 7th, 2021 At some point you reach this age when more and more friends and acquaintances suddenly settle down. They start planning their lives, drawing up the names of their future children - and in the worst case they even get married. As a professional single or a marriage refusal, these situations are difficult. Invitations flutter into the house on which the young happiness laughs at you. Desperately one goes in search of halfway imaginative gifts, spends the weekends on uncomfortable church pews and stands in lines in front of richly filled buffets. When the British screenwriter Richard Curtis, who previously worked on the comedy series "Black Adder" and "Mr. Bean “celebrated success, found that he had been invited to a total of 72 wedding receptions in ten years, he began to spin the story of a clique of friends who had to go through the hustle and bustle of such a wedding madness. Mike Newell's comedy "Four Weddings and a Funeral" was one of the greatest British film hits of all time. Charles (Hugh Grant), a staunch single, meets the adorable American Carrie (Andie MacDowell) at a wedding reception. The joy only lasts through the “wedding night”, the next morning the pillow next to Charles is empty. For Charles, this one night stand is further proof that lasting love cannot exist. But Charles and Carrie stumble upon each other again at the next wedding ... Even in the mid-1990s, when the "four weddings" saw the light of day, the basic plot corresponded to the classic features of a romantic comedy. Accompanied by a lot of hustle and bustle and numerous entanglements, the main characters fall in love with each other. The decisive factor for the great success of the film is primarily Richard Curtis ’screenplay, which comes up with subtle, pointed dialogues and well-elaborated characters. In addition to Charles, the bumbling popular figure, Gareth (Simon Callow, Shakespeare In Love, "A Room With A View") stands out among the minor characters, who always plays himself in the foreground with his extroverted manner and with his wonderful jokes, like for example getting the fax number of Oscar Wildes, provides entertaining entertainment. The actual plot unfolds predominantly on the eponymous festivities. Here watch movies free for love are discussed and “philosophized” about life itself. The little quirks with which Richard Curtis sweetened the respective weddings for the audience are really wonderful. Be it Rowan "Mr. Bean “Atkinson as a terribly forgetful pastor who cannot remember the names of the future couple even during the oath of allegiance. Or the borderline meeting order in one of the ballrooms, which ensures that Charles finds himself at a table with his ex-friends and leaves almost no faux pas. Or of course the opening wedding, which the notorious sleeper Charles almost blows up by forgetting the rings. Amazingly, however, it is the funeral mentioned in the title that the audience will probably remember for the longest time. One of the friends carries the poem "Funeral Blues" by W.H. for the deceased. Auden - one of the wonderfully saddest moments in film history. For Hugh Grant, appearing at the "four weddings" was the cornerstone of a world career. Although he was previously hired by Roman Polanski ("Bitter Moon") and James Ivory (What remained of the day and "Maurice") for central roles - the hearts of female moviegoers and critics (awarded a Golden Globe in the category " Best Actor Comedy / Musical “) he only won over as a silly charm bolt Charles. Against this sympathetic and convincing performance, the appearance of Andie MacDowell (Green Card, The Player) - despite the Golden Globe nomination - seems relatively wooden. Especially in the final minutes, she's not nearly as emotional and expressive as the script actually intended for her character. However, the now well-known supporting actors can push this flagging performance completely into the background. Be it Kristin Scott Thomas (The English Patient) as the pointed-tongued and hopelessly in love Fiona, Charlotte Coleman, who unfortunately died too early, as the funky Scarlett or John Hannah (The Mummy, The Mummy Returns), who alone with his intense eulogy Andie MacDowell completely dwarfs. Probably not even the producers expected such a success when they gave “Four Weddings and a Death” the green light - after all, the budget was so limited that the extras had to appear in their own dressing room for the filming. Thanks terribly personable FiAt some point you reach this age when more and more friends and acquaintances suddenly settle down. They start planning their lives, drawing up the names of their future children - and in the worst case they even get married. As a professional single or a refusal to give birth, it is difficult in these situations. Invitations flutter into the house on which the young happiness laughs at you. Desperately one goes in search of halfway imaginative gifts, spends the weekends on uncomfortable church pews and stands in lines in front of richly filled buffets. When the British screenwriter Richard Curtis, who previously worked on the comedy series "Black Adder" and "Mr. Bean “celebrated success, found that he had been invited to a total of 72 wedding receptions in ten years, he began to spin the story of a clique of friends who had to go through the hustle and bustle of such a wedding madness. Mike Newell's comedy "Four Weddings and a Funeral" was one of the greatest British film hits of all time. Charles (Hugh Grant), a staunch single, meets the adorable American Carrie (Andie MacDowell) at a wedding reception. The joy only lasts through the “wedding night”, the next morning the pillow next to Charles is empty. For Charles, this one night stand is further proof that lasting love cannot exist. But Charles and Carrie stumble upon each other again at the next wedding ... Even in the mid-1990s, when the “four weddings” saw the light of day, the basic plot corresponded to the classic features of a romantic comedy. Accompanied by a lot of hustle and bustle and numerous entanglements, the main characters fall in love with each other. The decisive factor for the great success of the film is primarily Richard Curtis ’screenplay, which comes up with subtle, pointed dialogues and highly elaborated characters. In addition to Charles, the bumbling popular figure, Gareth (Simon Callow, Shakespeare In Love, "A Room With A View") stands out among the minor characters, who always plays himself in the foreground with his extroverted manner and with his wonderful jokes, like for example getting the fax number of Oscar Wildes, provides entertaining entertainment. The actual plot unfolds predominantly on the eponymous festivities. Here the characters' needs for love are discussed and “philosophized” about life itself. The little quirks with which Richard Curtis sweetens the respective weddings for the audience are really wonderful. Be it Rowan "Mr. Bean “Atkinson as a terribly forgetful pastor who cannot remember the names of the future couple even during the oath of allegiance. Or the borderline meeting order in one of the ballrooms, which ensures that Charles finds himself at a table with his exes and leaves almost no faux pas. Or of course the opening wedding, which the notorious sleeper Charles almost blows up by forgetting the rings. Amazingly, however, it is the funeral mentioned in the title that the audience will probably remember for the longest time. One of the friends carries the poem "Funeral Blues" by W.H. for the deceased. Auden - one of the wonderfully saddest moments in film history.
For Hugh Grant, appearing at the "four weddings" was the cornerstone of a world career. Although he was previously hired by Roman Polanski ("Bitter Moon") and James Ivory (What remained of the day and "Maurice") for central roles - the hearts of female moviegoers and critics (awarded a Golden Globe in the category " Best Actor Comedy / Musical ”) he only captured Charles as a silly charm. In contrast to this sympathetic and convincing performance, Andie MacDowell's (Green Card, The Player) appearance - despite the Golden Globe nomination - seems relatively wooden. Especially in the final minutes, she's not nearly as emotional and expressive as the script actually intended for her character.
However, the now well-known supporting actors can push this flagging performance completely into the background. Be it Kristin Scott Thomas (The English Patient) as the pointed-tongued and hopelessly in love Fiona, Charlotte Coleman, who unfortunately died too early, as funky Scarlett or John Hannah (The Mummy, The Mummy Returns), who alone with his intense eulogy Andie MacDowell completely dwarfs.
Probably not even the producers expected such a success when they gave “Four Weddings and a Death” the green light - after all, the budget was so limited that the extras had to appear in their own dressing room for the shooting. Thanks terribly personable Fi
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