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Posted by Mariko on June 16th, 2021

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(2013) Beyond the Catwalk: Fashion Public Relations and Social Media in Australia, Asia Pacific Public Relations Journal, vol. 14, No. 1 & 2, Murdoch University. Brownmiller, Susan (1984). Femininity. New York: Lindon Press. Brownmiller, Susan (1984). Femininity. New York: Lindon Press. Mosmann, Petra (2016). "A feminist fashion icon: Germaine Greer's paisley coat".

31 (87): 87. Greer, Germaine (1971). The Female Eunuch. London: Paladin. Mosmann, Petra (2016). "A feminist fashion icon: Germaine Greer's paisley coat". Australian Feminist Studies. 31 (87): 88. Mosmann, Petra (2016). "A feminist fashion icon: Germaine Greer's paisley coat". Australian Feminist Studies. 31 (87): 88. ^ "Fashion Week's Anti-Trump Runway Politics".

21 February 2017. "7 Ways Fashion Joined the Political Conversation in 2017". Fashionista. Retrieved 2018-08-16. "Fashion Gets Political: On and Off the Runway Statements". The Hollywood Reporter. Retrieved 2018-08-16. "Are fashion and politics the perfect fit?". 15 February 2017. "Here's Why You'll See White Bandanas Everywhere During Fashion Month". In, Style.

"Fashion for a Cause". 2013-02-04. Archived from the original on 2013-05-01. Retrieved 2013-02-15. Woodman, Anne (2013-01-26). "Fashion for a cause". Clayton News Star. Archived from the original on 2013-04-11. Retrieved 2013-02-15. "Fashion for a cause". Chatham Daily News. 2013-02-07. Archived from the original on 2013-05-27. Retrieved 2013-02-15. luc, karie angell (2013-01-16) (Couture).

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Northbrook Star. Archived from the original on 2013-06-07. Retrieved 2013-02-15. "Fashion for a cause". Capital Gazette. Archived from the original on 2013-04-07. Retrieved 2013-02-15. "One man's trash is another man's fashion". NBC News/ AP. 2008-07-02. Retrieved 2013-02-15. Simon, Stephanie (2009-01-13). "Trashion Trend: Dumpster Couture Gets a Boost at Green Inaugural Ball".

Retrieved 2013-02-15. Busch, Otto von (2014). "Fashion Hacking". Design as Future-Making. doi:10. 5040/9781474293907-0009. Barthes, Roland (1983). The Fashion System. Berkeley: Univ. of California Press. Molnar, Andrea K (1998). Transformations in the Use of Traditional Textiles of Ngada (Western Flores, Eastern Indonesia): Commercialization, Fashion and Ethnicity. Consuming Fashion: Adorning the Transnational Body: Berg.

39–55 . Polhemus and Procter, Ted and Lynn (1978). Fashion and Anti-fashion: An Anthropology of Clothing and Adornment. Thames and Hudson. p. 12. Barnard, Malcolm (1996). Fashion as communication. London: Routledge. Hamilton Hill, Margot; Bucknell, Peter A. (1987). (5 ed.). London: Batsford. p. vii. ISBN 9780713458183. Retrieved 20 November 2020.

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Fashion and Anti-fashion: An Anthropology of Clothing and Adornment. Thames and Hudson. pp. 12–13. Molnar, Andrea K (1998). Transformations in the Use of Traditional Textiles of Ngada (Western Flores, Eastern Indonesia): Commercialization, Fashion and Ethnicity. Consuming Fashion: Adorning the Transnational Body: Berg. pp. 39–43. Molnar, Andrea K (1998). Transformations in the Use of Traditional Textiles of Ngada (Western Flores, Eastern Indonesia): Commercialization, Fashion and Ethnicity.

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p. 41 and 45–48. Molnar, Andrea K (1998). Transformations in the Use of Traditional Textiles of Ngada (Western Flores, Eastern Indonesia): Commercialization, Fashion and Ethnicity. Consuming Fashion: Adorning the Transnational Body: Berg. "Design details by larger companies is what often Outspoken". outspoken. wpshower.com. Retrieved 2018-08-16. Archived 2007-05-10 at the Wayback Machine: Intellectual Property in Fashion Industry, WIPO press release, December 2, 2005 Archived 2007-09-29 at the Wayback Machine: WIPO-Italy International Symposium, 30 November – 2 December 2005 Bibliography[edit] Further reading[edit] Breward, Christopher, The culture of fashion: a new history of fashionable dress, Manchester: Manchester University Press, 2003, Cabrera, Ana, and Lesley Miller.

La influencia de la cultura española en la moda." Fashion Theory: The Journal of Dress, Body & Culture 13. 1 (2009): 103–110 Cumming, Valerie: Understanding Fashion History, Costume & Fashion Press, 2004, Hollander, Anne, Seeing through clothes, Berkeley: University of California Press, 1993, Hanifie, Sowaibah (5 August 2020). "Australia's first National Indigenous Fashion Awards winners revealed, signalling hope for a more diverse industry".

Australian Broadcasting Corporation. Hollander, Anne, Sex and suits: the evolution of modern dress, New York: Knopf, 1994, Hollander, Anne, Feeding the eye: essays, New York: Farrar, Straus, and Giroux, 1999, Hollander, Anne, Fabric of vision: dress and drapery in painting, London: National Gallery, 2002, Kawamura, Yuniya, Fashion-ology: an introduction to Fashion Studies, Oxford and New York: Berg, 2005, Lipovetsky, Gilles (translated by Catherine Porter), The empire of fashion: dressing modern democracy, Woodstock: Princeton University Press, 2002, Mc, Dermott, Kathleen, Style for all: why fashion, invented by kings, now belongs to all of us (An illustrated history), 2010, 978-0-557-51917-0 – Many hand-drawn color illustrations, extensive annotated bibliography and reading guide Perrot, bruidsmode zeeland Philippe (translated by Richard Bienvenu), Fashioning the bourgeoisie: a history of clothing in the nineteenth century, Princeton NJ: Princeton University Press, 1994, Steele, Valerie, Paris fashion: a cultural history, (2 (Trouwjurk/Bruidsjurk laten maken).

and updated), Oxford: Berg, 1998, Steele, Valerie, Fifty years of fashion: new look to now, New Haven: Yale University Press, 2000, Steele, Valerie, Encyclopedia of clothing and fashion, Detroit: Thomson Gale, 2005 Davis, F. (1989). Of maids' uniforms and blue jeans: The drama of status ambivalences in clothing and fashion.

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Altijd al in jouw eigen kleding willen rondlopen? Dan ben je bij SKVR Mode aan het goede adres. Tijdens de verschillende cursussen komt het hele traject van kleding maken aan bod. Van de basistechnieken tot patronen en van het uitvoeren tot zelf ontwerpen. Ook leer je hoe je omgaat met een naaimachine.

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Het begint bij jouw eigen ontwerp. Ga concreet aan de slag in de lessen en neem een mooi eindproduct mee naar huis. SKVR Mode en Design biedt cursussen op verschillende niveaus. Of je nu pas begint of al jaren ervaring hebt: er is een geschikte cursus voor iedereen. Daarnaast krijg je altijd les van ervaren docenten.

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Op locatie Rotterdam Centrum is er een goed uitgerust modeatelier. Als SKVR Mode cursist werk je regelmatig in deze inspirerende omgeving. SKVR Design cursisten maken hun sieraden en objecten in de edelsmeedwerkplaats. Als SKVR Mode cursist kun je gebruikmaken van basismaterialen zoals garen en potloden. Deze materialen zijn