best sunglasses

Posted by Ava Lee on October 11th, 2019

1. I invested some energy in Italy this mid year: the area among Venice and the Dolomites.

You drive along mountain passes that Hannibal may have crossed; you walk around towns with no vacationer guide and inadvertently chance upon Roman mosaics and Romanesque houses of prayer,

Venice is presumably the most delightful city I've at any point visited.

On the off chance that you must choose between limited options, visit it during the high season.

Simply know, around then, the impeccable physical excellence is balanced a horde of punters swarming the thin roads.

There's likewise a lot of retail with a particularly current feel.

Envision a strip shopping center on a huge drama set with cool sunglasses.

Treviso, however not exactly as wonderful, is still flawless – human in scale, with a ten century variety of design – and moderately traveler free.

There's a mid year celebration in the old city, with individuals visiting at bistros and walking around until after 12 PM.

I invested my down energy here at whatever point I could.

I was more keen on unwinding than history or culture.

But, I can't depict my amazement and pleasure when I saw a little flyer there reporting a presentation called "GLI OCCHIALI AL POTERE – dal Rinascimento an Andy Warhol",

or generally POWER GLASSES – from the Renaissance to Warhol.

I felt like a child who'd quite recently been told about an enormous store of sweets.

It was in the Diocesan Museum, a building worked around 1200 or somewhere in the vicinity – around a similar time remedial focal points were first set in quite a

Strolling there, past the numerous Renaissance time structures was an ideal aperitif for the presentation.

A large portion of the pieces were European, if not really Italian, however a little yet diverse choice from Asia was available; most fourteenth through the eighteenth/nineteenth Centuries.

All things considered it was more Renaissance than Warhol.

Every one of the pieces were in structure concordance with their season of creation, and the greater part of them loyally resounded the chronicled mixture of engineering that made these sunglasses.

I am sorry ahead of time for the low nature of these photographs.

I shot them on the fly in unacceptable light on my telephone.

The showcase cases weren't constantly helpful for the most ideal shots.

Be that as it may, ideally I caught enough for others to acknowledge exactly how great a significant number of these pieces were.