20 Questions You Should Always Ask About Blessed Assurance Before Buying It

Posted by Latricia on January 3rd, 2021

Tune composer Phoebe Palmer Knapp (1839-1908) played a melody to Fanny Crosby and asked, "What does the tune say to you?" Crosby responded that the tune said, "Blessed guarantee, Jesus is mine!" and continued to recite the entire very first stanza of the now-famous hymn. Knapp was one of numerous tune authors that worked with Fanny Crosby. It was not unusual for among her texts to be motivated by a preexisting tune. Knapp was the author of more than five hundred gospel hymns and tunes. Fanny Crosby (1820-1915), blind at the age of six weeks, was a lifelong Methodist who started composing hymns at age six. She ended up being a trainee at the New york city Institute of the Blind at age 15 and signed up with the faculty of the Institute at 22, teaching rhetoric and history. In 1885, Crosby married Alexander Van Alstyne, likewise a trainee at the Institute and later on a member of the professors. He was a fine artist and, like Fanny, an enthusiast of literature. An author of more than 8,000 gospel hymn texts, she drew her motivation from her own faith. Crosby published hymns under numerous pen names including "Ella Dale," "Mrs. Kate Gringley," and "Miss Viola V. A." Her hymn texts were staples for the music of the most popular gospel song authors of her day. Frances Jane Crosby's hymns have traditionally been amongst the most pop music sung by Methodists. "Blessed Assurance" (1873) is among the 10 most popular hymns sung by United Methodists according to Carlton Young, and it is one of eight Crosby hymns in The United Methodist Hymnal. "Blessed Guarantee" was released in 1873 in the monthly publication modified by Joseph Fairchild Knapp and Phoebe Palmer Knapp, Guide to Holiness. Editor John R. Sweney included it in Gems of Appreciation (Philadelphia, 1873), and Knapp likewise selected it for "Bible School Songs" (1873 ). Perhaps the most significant boost came when it appeared in Gospel Songs, No. Go to this site 5 (1887) by Ira Sankey and was sung extensively in the Moody and Sankey revivals in Great Britain and the United States. It has belonged of Methodist hymnals considering that 1889. This hymn has motivated many singers ranging from those in evangelistic crusades to theologians. Don E. Saliers, William R. Cannon Distinguished Teacher of Faith and Worship Emeritus at Candler School of Theology, Emory University in Atlanta, borrowed a part of the opening stanza for his liturgical faith text, Worship as Faith: Foretaste of Magnificence Divine (1994 ). If one gets in "foretaste of splendor divine" into a Google search, numerous preaching titles appear that include this expression. YouTube renditions of the hymn abound. Crosby captured the poetic essence of the Wesleyan understanding of Christian perfection in the expression, "O what a foretaste of magnificence divine!" The whole hymn is focused on paradise, a place where "ideal submission" and "perfect pleasure" [stanza 2] will take place. The earthly presence is among "enjoying and waiting, looking above" [stanza 3] As we send ourselves to Christ and are "filled with his goodness" and "lost in his love" [verse 3], we are remade in Christ's image and are approaching Christian excellence. This hymn interest the senses in an abundant way. Not only do we have a "foretaste of splendor," we experience "visions of rapture [that] burst on my sight," and we hear "echoes of grace, whispers of love". Because of her long life, Fanny Crosby had an extraordinary relationship with several United States presidents, even penning poems in their honor on occasion, and she was influential on the spiritual life of or a friend to Presidents Martin Van Buren (8th), John Tyler (10th), James K. Polk (11th), and Grover Cleveland (22nd and 24th). She resolved a joint session of Congress on the topic of education for the blind. Middle class ladies in nineteenth-century United States had little voice in worship, nevertheless. Among the only methods for a woman to claim the authority to be heard was by direct individual revelation from God. Fanny Crosby easily declared God's personal discovery as a source for her hymns; her personal revelation then ended up being a communal inspiration as Christians throughout the world sang her hymns and verified her faith experience as their own. Dr. Hawn is distinguished professor of church music at Perkins School of Faith. He is also director of the seminary's spiritual music program.