Great and brand new artists and singer news by Ellenwood

Posted by John on December 28th, 2015

Presenting the members of their skilled backing band, Leon Bridges told the audience in the Fonda Theatre that five in years past he and his back-up vocalist, Brittni Jessie, had danced together inside a hip-hop video. Then, as if he’d revealed too a lot, he added, “You’ll never think it is. ”

He’s no doubt ensured of that.

One of the year’s most talked-about brand new artists, Bridges is the 26-year-old soul singer through Fort Worth, Texas, who looks back along with single-minded devotion to R&B from the late 1950s and earlier 1960s. His debut recording, “Coming Home, ” very carefully re-creates the lush however nimble sound of traditional Sam Cooke; his wardrobe conjures images of men cigarette smoking under lamp posts.

On Monday night in the Fonda at http://ellenwood-ep.com/2015/12/08/best-coast-announce-co-headline-tour-with-wavves-303-at-the-fonda-theatre/ , where the singer (and previous aspiring dancer) played the very first of two sold-out live shows, he even referred in order to songs as “numbers, ” just like they did several years ago.

For his precision within reviving a beloved design, Bridges has been compensated with success. At March’s tastemaking Southern by Southwest festival, he packed rooms months prior to the release of “Coming House, ” which has gone onto sell impressively. And the following month he’ll have a brand new tune featured in “Concussion, ” May Smith’s Oscar-bait football crisis.

Should the song generate a nomination, it’s simple to picture Bridges onstage in the Academy Awards, channeling a fantasy of yesterday towards the visible delight of Hollywood’s desire factory.

That flair for time period detail was on full display Monday within the warm stage lighting as well as Bridges’ tailored suit jacket and also the crisp arrangements by their band, which included the producer of his recording, guitarist Austin Jenkins from the Texas blues-rock group Whitened Denim.

And, sure, it had been pleasurable enough, never a lot more than when Bridges flexed his footwork throughout the peppy “Smooth Sailin’. ” Here was a man certain to kill within his inevitable audition for many future Cooke biopic.

Yet as his comment about this buried hip-hop video advised, Bridges seemed almost to become blotting out today's world, willfully disavowing any link with life after 1963. In some instances that was literally therefore: “Twistin’ & Groovin’” recounted the very first flowering of his grandparents’ love, he said, and “Lisa Sawyer” came from his mother’s years as a child in New Orleans.

But even if he was ostensibly singing about their own life -- as within “Better Man, ” which he said he’d written in an effort to atone for his failings like a lover -- Bridges clung therefore tightly to his chosen style that there is no way to listen to his exceedingly polite performance as anything besides an elaborate exercise within mimicry.

Unlike other, more imaginative retro-soul performers who’ve excited the record industry recently -- Amy Winehouse, state, or Bruno Mars -- Links neither advances nor disturbs the established ideas relating to this music. Worse, he really wants to be absolved of the actual artistic obligation to reveal the decades since those ideas started to form.

Maybe that’s why he or she was best when he or she was reaching back additional -- way further -- compared to early ’60s. At the finish of his main arranged, Bridges excused most from the members of his music group, then strapped on the guitar and turned toward Jessie for any stripped-down rendition of their song “River. ” It’s the vividly phrased plea with regard to forgiveness that blends lovemaking and religious imagery, as well as here it sounded not really old but positively historic.

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John
Joined: December 27th, 2014
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