Difference between Colour Correction & Colour GradingPosted by Satyam Raj on May 29th, 2017 Way back, in the analog days, we used colour timing, a time consuming photo-chemical process that could only be done in a laboratory. Today, we do it at the touch of a mouse and can change the colour profiles of footages in Post Production Studios. Previously, the terms colour correction and colour grading were used in place of one another, interchangeably, but they are not the same. Colour correction and colour grading are quite similar in the process of operation, but they differ in where and how they are used. We cannot place any less importance on colour as we can to the story, both being fundamental in the process of delivering a production. While the story keeps the audience rooted to their seats, the colour on screen can be used for a variety of purposes like expressing emotions, describing objects or to evoke a response. Let us take a look at what colour correction and colour grading are, and where they differ. Colour correction: Primary and secondary colour correction: Secondary colour correction is based on the concept of chroma keying; here only the saturation, hue and luminance of the cyans, magentas, yellows, and RGB’s are altered. All other colours ae only affected minimally. Masks/mattes: Colour grading: Nowadays with a plethora of accomplished visual artists at the disposal of a movie production house, colour correction and colour grading are carried out effortlessly with the help of high end rendering computers. There are innumerable numbers of software available for video editing, and all of these involve colour correction and colour grading. One tends to get carried over with all the controls at his/her disposal while working on an image, however the overall theme and desired effect should always be kept in mind o that the best results are achieved. Like it? Share it!More by this author |