Music Mixing and Mastering - What To Bring For your Studio Session

Posted by Thomas Shaw on June 10th, 2018

Are you currently a musician, artist or in a band that may be functioning on a new music project? This article is part of a series created to help you have got the most effective experience every time you are inside the recording studio. The subject for this article is what do I will need to bring to a mixing session at a professional studio. I am going to assume you've recorded your own personal song and are going towards the studio to perform using a skilled mix engineer. That is a vital question since there's a large amount of confusion about this subject. Get much more details about CD mastering

If you have recorded your own personal song you are probably making use of a digital audio workstation (Pro-Tools, Logic, Cubase, Reaper, and so on.) to produce your multi-track recording. So you'll have numerous various tracks with different instruments (bass, guitars, kick drum, snare drum, and so forth.) Your mix engineer will will need each of those tracks individually. There is a couple of strategies this can occur. One way is usually to bring the whole studio session project for your mix engineer and have him or her export the audio files they have to have.

Even so, if you're applying application which is diverse from your engineer then you definitely will have to export or render every track individually to a separate stereo/mono audio file (.WAV, etc.). You'd do that by soloing every single person track and rendering out only that track as a high-resolution audio file. It is critical to render every track for the exact length of one's full song so anything syncs up appropriately when your mix engineer opens it up. So even if you might have a vocal track that only plays incidentally by way of the song, the render of that track should really still be the whole length of time of the song.

One more crucial consideration may be the digital resolution you render your files out to. This refers for the sample rate and bit depth (most normally 44.1khz and 16-bits). It really is vital to render out at the native resolution, or the resolution at which you recorded your audio/MIDI. Finally it is critical that none of your individual tracks or your master track is clipping or "going in to the red" and that you simply have no effects on the master bus (compression, limiting, and so forth.) of one's renders. Getting a clean render ensures your mix engineer can do the most beneficial achievable job for you personally. Basically copy all your tracks to a CD/DVD, USB stick or external drive and bring them for your mix engineer.