The 7 Biggest Jewelry Trends of the Fall 2019 Season

Posted by freemexy on July 22nd, 2019

The 7 Biggest Jewelry Trends of the Fall 2019 Season

There are different ways to be sustainable. One that was bandied about a lot this season was the notion of investing in pieces you can keep for a long time. We’re still seeing the chokers, chains, and mismatched earrings of Spring, so plan to keep those in heavy rotation. Updates to those categories included single feathers at Louis Vuitton and strands of linked paper clips at Stella McCartney. Earrings were twisted into abstract shapes (see Sacai, Acne Studios), and Calderisms continue to flourish. Adding a surreal twist was the repurposing of coat hooks and drawer pulls as hardware at Comme des Gar?ons. Elsewhere, punk accoutrements like safety pins and dog collars spiked the season with some broody, dark romance.[url=https://www.jewellylife.com/]Cheap Jewellery Shops[/url]

The big news, however, was old news. Celine’s pivot to an “old Celine” aesthetic was in line with the “lady” look that first appeared last season. Studded at Christian Dior and served on the half shell at Burberry, pearls are back, but they look nothing like those of your grandmother. Loewe’s pearl-encrusted top is a garment as jewelry. Also revived was the parure, or matching set of jewelry. Paco Rabanne’s show opened with dazzling diamanté paired not with décolletage, but a with a bohemian-deluxe ensemble. Simone Rocha traded out the necklace for a tiara with matching earrings. Ladylike in concept, but not execution—gems were blown up to campy, Dynasty-worthy proportions at Moschino and Dolce & Gabbana.

This bigger-is-better approach is in sync with the continuing ’80s revivalism, which twists existing concepts in ways that speak to today. Though Alexis Colby would probably thrill at the sparkling diamanté and crystal baubles that lit up the runway, she probably wouldn’t have styled them with day looks, which is the way these sparklers were shown. Gucci’s Alessandro Michele did ear pieces, inspired by those created by Eduardo Costa and photographed by Richard Avedon for a 1968 issue of Vogue. Some of these were paired with bib-style neckpieces, the jewelry equivalent of a neckerchief. At Christopher Kane and Bottega Veneta, these were built-ins. Ann Demeulemeester’s burgundy feathers and Marni’s assemblage bibs were strapped on, an answer to the men’s harness.