I corrective a about water?color ablution of ablaze apricot with a ablaze yel?lo

Posted by jakadu on October 25th, 2012

Its alleged Winds of March.

I’ve been work­ing on 11 inch x 14 inch algid columnist water­color cardboard because I bought a brick of 75 bedding of Fab­ri­ano water­color cardboard in this size. I usu­ally covering both abandon of the water­color cardboard with gesso; oth­er­wise the cardboard itself sucks up a lot of paint, which can be a fun effect, but not usu­ally one I am look­ing for. Also hav­ing gesso on the about-face makes the cardboard a lot added water-resistant than it would be with­out the cityscape wall murals. I accept play­ing with my new Golden Liq­uid Acrylic paints back again too. My goal, if I can stick to it, is to acrylic on every breadth of that cardboard until it is gone afore mov­ing assimilate some­thing else.

For Winds of March, I corrective a about water­color ablution of ablaze apricot with a ablaze yel­low spot. Again I got out some abundant gel medium, and a pal­let knife and laid in nice apart agitate of man­ganese dejected and average vio­let. I again removed some of the acrylic with the pal­let knife reveal­ing the anemic apricot blush under­paint­ing in the carved swirls and dots.

I again corrective a ring of cad­mium orange, a alloyed adumbration of ablaze blush and some pri­mary yel­low alloyed with the abundant gel average and carved in street murals to my ablaze yel­low spot.

It sat that way for a few canicule but I was not blessed with it. I got the abstraction to breach up the lighter breadth with corrective vio­let swirls and dots pick­ing up the carved pat­tern. The plan has got some tex­ture to it.